George Frederick Handel |
Whether a song has been inspired by
angels, or whether a song bursts forth from the depths of human despair, it
speaks to the facets of life that all people hold in common. Music allows
people to communicate with one another in ways that cannot be accomplished in
conversation or writing. Even people who speak different languages can express
feelings to one another that can’t be described any other way. Music increases
understanding among people of different opinions and different backgrounds. No
matter the style of music, its very existence is a gift from Divine Love for the
entire world to enjoy.
Throughout history, Love’s angels have
inspired men and women to compose, play, and sing melodies that would raise
both listeners and participants to higher realms of being, where memories of
our divine origin dance and soar. One of the greatest of these enlightened
musicians was George Frederick Handel.
Handel was a musical visionary, weaving biblical
messages throughout his compositions, even though they were performed in opera
houses and other secular venues. The 18th century Church of England condemned
his use of religious themes for the sake of entertainment. Even today, many
church congregations do not applaud when the choir sings, because they sing to
the glory of God, not for the benefit of other people! So for Handel to produce
religious music for people to applaud was blasphemous.
Handel’s dilemma was a hot topic of
discussion among the Agents of Love. Apollo, Greek god of music; Meret, the
Egyptian goddess of song; and Benzaiten met with Israfel, Uriel, and
other divine lovers of music. Apollo said: “We must find a way to awaken
people to the fact that sacred music should be enjoyed anywhere and
everywhere,” and every angel and goddess of music agreed.
Handel’s soul had such a thin shell around it, the
angelic ones found it easy to communicate with him. The divine musicians knew
that the Governor of Ireland was planning a charitable benefit concert, so they
pestered him until he asked Handel to write the oratorio for this event. Next, they directed Charles Jennens, patron
of the arts, to select certain biblical texts to make up a libretto for an
oratorio. These texts were chosen to tell the story behind 1st
Timothy 3:16 where Saint Paul wrote: “And without controversy, great
is the mystery of godliness, God was manifest in the flesh, justified in the
Spirit, seen of angels, preached unto the Gentiles, believed on in the world,
received up into glory.”
“Today’s listeners will believe this oratorio is
only about Jesus Christ,” the angels said. “But one day they will realize that
God is manifest is all flesh, and all will be received up into glory.”
Then they led Jennens to take his libretto to
Handel, and they stayed with the composer night and day, for twenty-four days, and
filled his heart and soul with the music he would write for “Messiah.”
Handel was so inspired by the words of
Jennens’s libretto and the heavenly music surrounding him, the remaining bit of
shell around his soul melted, opening his vision to the glory of Divine Love.
In his ecstasy he totally forgot the needs of his physical body, not stopping
work to eat or sleep. Just as he finished putting the last notes of the Hallelujah
Chorus on paper, his servant tip-toed into his room to take away the untouched
supper tray. Handel lifted his head, and
with tears streaming down his face, smiled at his servant and said: “I did think I saw all heaven
before me, and the Great God Himself.”
Every
single angel, god, and goddess of music faithfully attends the performance of
Messiah whenever and wherever it is performed. In 1742 the oratorio premiered
at the charitable benefit in Dublin, for which it had been written, and 400
pounds were raised, allowing 142 men to go free from debtor’s prison. A year
later, Handel staged his masterpiece in London. The Church of England, headed by
King George II, was still criticizing his tendency to perform religious music
in nonreligious venues. But the king could not resist the clamoring of angelic
voices that insisted he attend the performance of this oratorio.
King George was not sorry
that he went. He sat transfixed throughout the program, and when the first
magnificent notes of the Hallelujah Chorus sounded throughout the concert hall,
the king rose to his feet. Of course the rest of the audience had to stand in
respect to the king, but to this day, all listeners of the Hallelujah Chorus
stand in respect to the Great Mystery of Divine Love which is felt in this
triumphant music so much more than it can be understood in any words.
Handel personally conducted more than
thirty performances of Messiah, many which were benefit performances for
charities. One of his biographers would write: “Perhaps the works
of no other composer have so largely contributed to the relief of human
suffering.” Another biographer wrote
that Handel’s Messiah “has probably done more to convince thousands of mankind
that there is a God about us than all the theological works ever
written.” Handel’s generosity of spirit, and his desire to accomplish
more than purely entertain his audience, would be an inspiration to future
musicians who have joined his divine mission.
John Lennon |
With each passing century, the numbers
of people with thinning soul shells increases, and more people have a genuine
desire to assist others and contribute to good causes. In the 20th
century the angels and gods of music have promoted dozens of benefit concerts
at which musicians have raised enormous sums for human rights and peace
organizations, and for numerous charities. The subject matter for inspirational
music has also expanded beyond religion to include songs about peace, justice,
ecology, and the oneness of humanity. One of the world’s favorite peace songs,
inspired by the Agents of Love, and written by John Lennon, tells us to imagine
there’s no heaven above us, and yet the lyrics describe what might be called
heaven on earth:
Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today...
Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace...
You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will be as one
Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people
Sharing all the world...
You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will live as one
It's easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today...
Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace...
You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will be as one
Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people
Sharing all the world...
You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will live as one
No comments:
Post a Comment